Was actually David Bowie’s 1983 struck “China Girl” racist?
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But racist deliberately.
If you’re wondering exactly why which makes a distinction, consider Bowie’s remarks in Rolling material that same season: “Let’s just be sure to utilize the video clip format as a system for a few type social observation, and not spend it on trotting away and trying to improve the public graphics regarding the singer involved. I Am Talking About, normally little motion pictures, and a few videos may have a place, consider try to make some point.”
During the time, the “China Girl” video got a wonder. It represented the sex twisting Bowie as a hypermasculine protagonist in a lush, interracial love. It had been furthermore rife with stereotypes. The lyrics suggested a desire to conquer — and supplied a threat of racial violence.
Bowie’s brand new followers — those who flocked to him after the popularity of the 1983 “Let’s party” album — possess thought these people were acquiring a salacious pop solitary offered with a flavor of Asia, but more mature fans from the ’70s know better: Bowie was donning the role of a racist womanizer not just to decry racist womanizing but to condemn the West’s demeaning look at the eastern as one.